WTF MoMA?

No. No no no no no no no no.

One of the Museum of Modern Art's latest film acquisitions isn't an art-house experiment by Andy Warhol or Michelangelo Antonioni. It's the spy-action blockbuster "The Bourne Identity" and its sequels.

This week the museum is screening the films and hosting a panel discussion with "Bourne" director/producer Doug Liman and a noted neuroscientist to talk about memory, identity and the mysterious workings of the brain.

Really? Really? Not a David Gordon Green series? Or bringing over some Roy Andersson? Guy Maddin doesn't get a MoMA series...but you'll give one to the goddamn Bourne trilogy?

"You say the word 'action movie,' and everyone's standards go down," Liman said Tuesday.

And with good cause.

"And it was my goal with 'The Bourne Identity' to create a movie wherein the drama would hold up even if you took the action out."

Liman, who directed "Identity" and served as executive producer of sequels "Supremacy" and "Ultimatum," called the films' inclusion in the museum's renowned collection "a huge, huge honor."

Cinemaphiles have praised not only the movies' technical skill and heart-pounding pace, but their relatively realistic feel and character development as Bourne strives to find out who he is and why killers stalk him wherever he goes.

I mean...please. The Bourne movies aren't bad movies. Far from it. I actually think they're pretty good.

But COME ON, this is not, like, cinema as art. There are plenty of people actually making art films right at this very moment that are being ignored by this large museum as it praises the rare Hollywood action film that manages not to be horrifyingly, egregiously schlocky and embarrassing for all involved. It's like having the President come to your school to give you your "Best Attendance" medal.