Friday, December 24, 2004

Top 50 at the Fork

Pitchfork published its annual Top 50 Albums of the Year today. Lots of good stuff on there. In fact, 6 of my Top 10 of the year list is included somewhere on their list as well. So, you know, I'm not just pulling this stuff out of my ass. There is real knowledge here dammit.

Big Surprises:
I knew Morrissey would make the list, but #38 seems about where he ought to be. I thought he'd rank much higher, to be honest. I was most surprised to see Interpol on there at all, but #27? There are two good songs on that album: "Take You on a Cruise" and "Slow Hands." Otherwise, it's pure mediocrity.

People Who Totally Got the Shaft:
No love at all for Architecture in Helsinki? What the hell up with that? I only heard about the album because of Pitchfork, it's clearly one of the year's best, and it doesn't even make the top 50 albums of the year? And Elliot Smith? The guy's dead and he releases a great album, and doesn't make the cut.

AIR's "Talkie Walkie" is at #20 and that album is b-o-r-i-n-g. And let's not even discuss Kanye West at #18, please. Outranking TV on the Radio and Modest Mouse and the Walkmen? Making the list when there's no room for Secret Machines?

But the biggest surprise and shaft of all...Wilco! "Ghost in Born" doesn't even rank on the top 50 albums of the year. Guys, fellas...I know it's a change of pace...but come on. That Bjork album is nice and all, but Jeff Tweedy just keeps on getting it done year after year.

Anyway, I found that highly surprising.

Albums that get just the right amount of love:
Arcade Fire: #1. You knew it was coming.
Madvillain and Blueberry Boat: Top 10. Booya.

Anyway, it's a really good list. You should check it out. But still, no Wilco...That's a huge surprise for me.

1 comment:

  1. Anonymous1:15 PM

    Pitchfork has problems going past the hot new Indie trend-setters of the day. I agree that Wilco deserves a spot up there, but I guess they just got too many fans for Pitchfork to still like them. And how do they keep giving the stiff to Tom Waits and Mark Lanegan? Not enough reverb and electro break beats for them I guess.

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